Wireless Waffle - A whole spectrum of radio related rubbish

Stereo-Phonicssignal strength
Friday 8 February, 2008, 19:10 - Licensed
Posted by Administrator
radio bognor logoThe Wireless Waffle team used to supply VHF FM radio transmitters for Restricted Service Licence (RSL) stations in the UK. The licences allowed a maximum transmitter power of 25 Watts and a maximum antenna height of 10 metres above the ground. As such, the range of such stations was normally very limited compared to regular FM stations who used powers typically in excess of 400 Watts and with much higher antennas. To maximise the range of the RSLs, it was best to identify and use transmitter sites which were as high above the surrounding land as possible but in some areas the land was so flat that no such sites existed.

One question which was constantly asked by the operators of such stations was, "Should I broadcast in stereo?". On the face of it, stereo is the norm for FM broadcasts and most stations believed that if they weren't in stereo they would be seen somehow as inferior. However, what most failed to take into account was the fact that in order to receive a good quality stereo signal, the signal strength has to be 10 times (20dB) higher than that required to receive a good quality mono signal. This translates into a reduction in coverage area of 100 times, i.e. the coverage in stereo is only a hundredth of the coverage area achieved by the same transmitter in mono (ignoring topographical issues such as terrain and buildings).

Why is there so much difference? The answer lies in the bandwidth which a stereo signal occupies compared to a mono signal. The audio bandwidth of an FM transmission lies in the range of 30 Hz to 15000 Hz (15 kHz). However the way that a stereo signal is generated expands this bandwidth to 53000 Hz (53 kHz). (Don't get this confused with the RF bandwidth of the signal which is 180 kHz for mono and 256 kHz for stereo).

fmspectrumHow does the audio bandwidth extend to 53 kHz? Well the mono signal which is made by adding the left (L) and right (R) channels together - expressed as L+R - is transmitted as usual so that the resulting signal is compatible with mono receivers. The difference between the left and right channel (L-R) is amplitude modulated onto a carrier at 38000 Hz (38kHz). This produces a signal which occupies the audio frequencies from 23 to 53 kHz - above the standard audio range and thus inaudible on a mono receiver.

A 'pilot' tone which is a low-level tone at 19000 Hz (19kHz) is also added to this signal and then the whole lot is sent to the FM transmitter. In a stereo receiver the presence of the pilot tone triggers the stereo decoder to recover the original signals. The left channel is reproduced by adding the mono to the stereo difference signal (L+R+L-R=2L) and the right channel is produced by subtracting the difference signal from the mono signal (L+R-(L-R)=L+R-L+R=2R).

The noise received by an FM receiver increases as the square of the bandwidth of the modulated/demodulated signal and as such the increase in noise (i.e. the decrease in signal to noise) for a stereo signal is (53/15)² or 12.5 times. Some of this increase is counterbalanced by 'pre-emphasis' where higher audio frequencies are enhanced before transmission and then reduced at the receiver, reducing the effect of some of the noise. The resulting improvement leaves a difference of the factor of 10 mentioned above.

hisssThe question of whether to broadcast in stereo for a low-power RSL (or indeed a pirate!) FM station is therefore a question of quality and coverage. If you have a high site and can expect that most of the listeners you wish to target will receive a good strong signal, stereo is great. If not (which is usually the case), using mono ensures your coverage is maximised. Of course, in fringe stereo areas where the signal becomes 'hissy' the listeners could always switch to mono, but how many people actually know that this solves the problem, let alone know where the mono/stereo switch on their receiver is?!

There are some pirate stations who transmit only the pilot tone so that the stereo 'light' on receivers comes on, which looks nice, but don't actually transmit in stereo. This is the worst possible case, as all it will serve to do is reduce the coverage, without giving any additional benefit to the listeners!
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